Showing posts with label Week 11. Show all posts
Showing posts with label Week 11. Show all posts

Wednesday, April 5, 2017

Week 11 Story: Maiden Steel

“7:00 a.m.: Shower and dress...”

“7:20 a.m.: Wake Beaumont family... Gently…

“7:40 a.m.: Assign daily duties. Objections receive one hour of mandatory stable duty...”

“8:00 a.m.: Prepare breakfast...”

“8:30 to 11:30 a.m.: Monitor maids...then bring Lady Giselle her afternoon tea: chamomile, two…three sugars? No, no, definitely two... Shaken...or was it stirred...? Ooh...”

The alabaster spires of House Beaumont betrayed cacophony within its walls. While Master and Mistress Beaumont oversaw their subjects, servants scampered to keep their abode spick and span.

Head maid Alanna von Carlisle’s tall, young frame hurried down the halls and rushed along the red carpeting, hefting a tray of tea and biscuits carefully. Her brunette ponytail, navy dress and white apron a blur as she approached the gardens.

(Hever castle with rose garden by Graham Bould, taken from Wikimedia Commons)

Light poured onto the bushes and blooms, a small table among them. Sitting there, a young lady. A ruby dress adorned her petite stature, ash blonde tresses framing a doe-eyed face. Hearing Alanna approach, the woman turned, surprised.

“Goodness! Alanna!” She gasped. “You’re exhausted! Would you like a seat?”

Alanna huffed as she sat the tray down. “No concern…Lady Giselle… Merely some…’mishaps’ on dishwashing detail and the occasional…miscommunication.”

“Are the other maids chastising you, again?” Giselle sighed.

“… What others think of me poses no risk to my job.” Alanna replied. “What does hamper my performance, however… Milady, why the armor?

A strange uniform for maids, indeed; upon closer inspection, steel boots and spaulders, a breastplate, and leather gauntlets clashed against Alanna’s elegant attire.

The lady of the house smiled curiously. “Don’t you like it?”

“Whether I like it or not is irrelevant.” Alanna flatly stated.

The Beaumont daughter pouted. “I know when you’re not honest, Alanna!”

“I am honest when asking what the purpose is for a maid to wear armor.” Alanna said.

“Not the point!” Giselle retorted. “Remember when we were kids?”

Those words sent nostalgic shivers down Alanna’s spine, far away memories resurfacing.

Alanna is the sole child in the twelfth generation of the von Carlisle family, a lineage of knights sharing good relations and dedicated service to the Beaumont family for decades. In her childhood, she ardently engaged the teachings of her predecessors and fostered fervor to follow their footsteps.

Alanna knew Master Beaumont’s daughter even then; he would often bring her to play in town when visiting Alanna's father, retired from knighthood. The two girls became fast friends.

To strengthen ties between houses, Giselle was discussed for arranged marriage, though she had yet to come of age. Simultaneously, her noble status distanced her from commoner children, who considered her affairs above themselves, as taught by their parents.

Unfortunately for Alanna, cultural tradition held only men could become knights, leaving the poor girl receiving much ridicule among her neighbors’ children.

Even Giselle was skeptical at first meeting, eventually coming to respect Alanna's passion when she stood unfazed by Giselle's status. Similarly, Alanna sympathized with Giselle's loneliness.

Growing into adult responsibilities drew them apart, but they never forgot their friendship. However...

“Weren't you the one who requested I become your maid?” Alanna inquired.

“You wear that better than any maid or knight!” Giselle chirped.

“With the clumsiest feet...” Alanna muttered downcast.

Giselle’s turn to Alanna, concerned. “Alanna…”

“You and I both know I have never been good at household labor!” Alanna snapped. “Why hire a maid hardly worth her salt, more so appoint her as your head maid?!

“That... Um... Well...” Giselle stammered off, averting her eyes.

“Milady...” Alanna clenched her brow, confused.

Lady and maid remained in silent standoff until the rustling leaves broke it.

“What was that?” Giselle cautiously asked.

The air blew stiff as Alanna and Giselle stood quiet.

“Milady! Stand back!” Alanna barked, shoving Giselle away. Within a flash, she drew a rapier hidden under her dress, screeching steel erupting.

A man garbed in dark clothes sprang from a nearby hedge, meeting Alanna’s rapier with his dagger. An assassin, most likely.

His eyes widened at seeing an armed maid, giving Alanna the perfect opportunity: With a flourish of her blade, Alanna disarmed the assailant and drew the tip to his chest.

“Listen closely...” Alanna growled. “Leave these premises immediately, otherwise I promise judgment will be dealt not by jury, but by my blade.”

Breathless and at blade point, the man quickly cowered through the foliage.

“Milady... Are you all right?” Alanna asked.

“Y-Yes...! Alanna, thank you! I knew you wore that the best!”

“Milady...” droned the maid, “We have been over this. I am-”

“You are more than my maid!” Giselle cried.

Alanna gawked at Giselle, “Huh...?”

The Beaumont lady began tearing up. “The more we grew up, growing apart... I-I couldn’t stand it, so...I...requested you to be my maid...”

“Milady, that...”

“Was wrong!” Giselle interrupted. “I felt so guilty! Ruining your dream...for such selfish reasons... I wanted to apologize, but was too afraid to say it upfront...”

“So...the armor...?” Alanna whispered.

“I...stole it from the armory. I thought it would show that being a maid doesn’t define who you are. But...I just made you feel worse...”

Alanna remained silent with an unreadable gaze. Giselle glanced guiltily toward the ground, noticing the tea had fallen over in the chaos.

 “I’ll...clean this up. You don’t have to anymore...” Giselle mumbled, reaching for the mess.

But was stopped by leather hands picking up the scattered teacup shards.

“Don’t touch broken glassware without gloves.” Alanna said.

“B-But, Alanna...! You don’t...!”

“It’s my duty to stand by you,” Alanna countered, picking up the tray, “my hands at your call...” she grasped the hilt of her rapier with her free hand, smiling at Giselle, “and my sword at your side.”

Giselle sniffled, slowly smiling, “Alanna...”

Alanna quickly bowed, “Apologies for my outbursts, milady. I will prepare more tea, posthaste.”

Giselle Beaumont beamed, wiping away her remaining tears. “Okay! But... one condition...”

The maid knight stared curiously, “Condition?”

“No more of that ‘Milady’ or ‘Lady Giselle’ stuff. Not when we’re alone. Just my name. Please?” Giselle requested.

A cheerful grin illuminated Alanna von Carlisle’s face. “Alright... Giselle.”


Author's Note

Today we interrupt your daily dose of supernatural shenanigans for a more down-to-earth story, once again written on inspiration from elements in the reading as a whole, rather than one specific story. One thing that stood out to me in The Mabinogion was shifting character roles, such as Pwyll and Arawn's switching kingdoms and Elphin's capture by Maelgwn. The character of Rhiannon and her conflicts regarding forced marriage and accusations of cannibalism forcing her to leave her home reminded me that I need to write more female protagonists.

With these in mind, I crafted Alanna and Giselle to interrogate two roles often found in fantasy: the knight and the princess. Alanna's conflict concerns the gender rigidity of knights and maids, with a message of society does not determine who you are. Giselle's life is a defiance on the glamors of princess life in the palace, with a message of bad results can come from good intentions. The lynchpin being the trust between the two friends being strong enough to learn these lessons, come to an understanding, and grow stronger for it.

Normally, I like to write vivid imagery into my stories, but the character-driven nature of the plot called for necessary trimming down to meet the word limit and keep the story vivid and sensible. The other challenge writing was writing the characters' backstory and interactions, as I didn't want one to seem totally in the right or wrong about the situation, nor did I want the progression of events to be stilted. It was challenging, but also one of my favorite subjects to tackle, with two of my favorite characters to create.

Alanna von Carlisle (car-lyle) was inspired by the "lady knight" vibes I got off of Rhiannon, aspects of her appearance in my head taking inspiration from characters with that aesthetic, such as Fiona Mayfield of Arcana Heart and Saber from Fate/stay Night. "Alanna" is a feminine corruption of "Alan," of which the meaning is uncertain, to play into her limbo between maid and knight. "Carlisle" stems from a city in northern England, of which previous meanings contained "stronghold of Lugus" and "fort" applied to it, to suggest her strong nature. "Von" is either used in German cases of nobility or a prepositional surname meaning "from" or "of" in cases of commoners. It has no significant meaning other than to make Alanna's name sound more distinctive, as well as a bit of a nod to the character of Valkenhayn R. Hellsing from the BlazBlue series of fighting games.

Giselle Beaumont appearance and initial demeanor stemmed from common elements of fictional princesses: beautiful, innocent, naive, emotional. This was done to make the ending and her backstory more of a contrast. "Giselle" derives from a Germanic word meaning "hostage" or "pledge," working twofold through both her and Alanna's backgrounds. Beaumont was chosen more out of a desire to find a pretty name to attach to Giselle's family, though I suppose it could also be an ironic thing considering what I set out to to do with the characters.

The plot initially had a confrontation with one of Giselle's suitors, but I could not write it into the story so that it seemed natural and stayed within the word limit, so it was trashed and replaced with the conflict with the assassin. I consider it a bit of a missed opportunity, honestly. Regardless, I enjoyed writing this one, and would love to revisit and expand on the world of our maid in shining armor.

Bibliography

Mythology & Folklore Mabinogion Pwyll & Taliesin Unit, translation by Lady Charlotte Guest

Monday, April 3, 2017

Reading Notes: Mabinogion Unit, Part B

(Buffoon playing a lute by Frans Hals (1582/1583-1666), taken from Wikimedia Commons)


Bards are highly revered in Taliesin's stories, honored for their linguistic capabilities, wide range of knowledge, and responsibilities as chroniclers of the kingdoms' endeavors.

Yet Taliesin has three accounts of bards, singing praises of true bards, and disappointment and scorn for the bards of Maelgwn's court, all with little to no basis to back it up.

What's worse, even if Taliesin claims corruption from other bards' singing, he does nothing to distinguish his singing from theirs. I honestly believe that Taliesin is just blowing hot air.

Are there other occupations that seem innocuous, but actually have a valuable role in a kingdom's structure. Servants like maids and butlers seem to be one, as are blacksmiths.

Elphin's wife exchanges places with a maid to prove his innocence by the difference in their ring fingers. Once again showing the exchange in roles plot device that I find interesting.

To be able to tell the future through song is a powerful boon indeed. What if songs sang could rather make certain events true rather than predict them?

While it was tyrannical of Maelgwn to imprison Elphin so quickly, Elphin was also a rather rude guest by boasting the superiority of his wife and bard.

A story centered on Maelgwn would be a welcome interpretation on the events of Taliesin's tales.

Taliesin's prediction of what is to befall Maelgwn sounds contradictory and vague. Who's to say he is not merely making all this shit up?

What's more, there is hardly any event after Taliesin's prose to indicate or prove his supposed powers of foresight.

A comedic take on this kind of character could make for good entertainment, displaying the danger and foolishness in trusting psychic powers.

There is an implied cycle of reincarnation and many lives lived in Taliesin's Reply. A bard or some other's spirit carried throughout time to do work for others speaks of some kind of epic quality.

Bibliography

Mythology & Folklore Mabinogion Pwyll & Taliesin Unit, translation by Lady Charlotte Guest

Reading Notes: Mabinogion Unit, Part A


(Portrait of Jeanne D'Arc by Andrew C.P. Haggard (1854-1923), taken from Wikimedia Commons)

The first story arc spans Pwyll Goes Hunting and In the Stead of Arawn, where both Pwyll and Arawn pose as each other (whether by magic or disguise is up to interpretation) and perform each other's duties for a year. I'm immediately reminded of body swap premises, which promise many comedic opportunities, especially when the two swappers are so radically different, be it in body or personality.

Or what if it weren't a story about two patriarchs, but two monarchs instead? Or a class swap between royalty and peasant?

I couldn't help but wonder if something could've gone even worse during the horseback chases in Pwyll and the Wondrous Lady. Of course, my mind turned to another fantastical creature: that of the horse variety.

Rhiannon, a badass  renegade princess refusing any attempts at arranged marriage. She just reminds me that I need to write more female protagonists.

Not to mention I've always loved the image of a lady knight. The role reversal image of a prince finding salvation in a literal iron maiden is quite an interesting one. Coupled with the idea of royalty's arranged marriage troubles, I see a new take on an old plot.

The cannibalistic plan to implicate Rhiannon for her son's disappearance is quite a visceral image. One could only imagine the suffering she went through that the story does not tell us.

A terrifying thought emerged to me: what if Rhiannon were never proved innocent? What if she held a deep vengeance within her due to being wronged? And what if that vengeance never died, even when she did?

Pwyll and Rhiannon's plot to humble and overcome Gwawl is insanely elaborate and shows great trust between the two characters. Can we take any of the previous ideas we have up above and combine them with this kind of premise as well?

Bibliography

Mythology & Folklore Mabinogion Pwyll & Taliesin Unit, translation by Lady Charlotte Guest